MTV has released some great new information from Francis Lawrence, director of Catching Fire and the final two films, which are adaptations of Mockingjay. He talks the faithfulness of the adaptation, working with Suzanne Collins, and which scenes he is most proud of.
On whether there are major changes from the book:
“No, not really, I would say that it’s a really faithful adaptation. You know, whenever you’re adapting something that’s a 12- or 14-hour read down to something that has to be around two hours, there’s going to be some cuts. We definitely made some cuts. I don’t want to go into that, but we did it with Suzanne, and I would say that it’s very, very faithful. We tried to get as much as we could in there. I think it was five or six days after I got the job—I got on a plane to New York and sat in a room with Suzanne, and she and I basically went through the book together. And just kind of created a beat sheet over the course of three days that became the basis for the script.
On the scenes he’s most proud of:
“It’s interesting because there’s a very small blur—I want to say it’s a paragraph long in the book—but the moment in the arena when the gamemaker starts to spin the cornucopia, and I’m very proud of that. We designed a very cool sequence and created a spinning island, and that’s going to be very, very cool. So that’s kind of fun and very unique. I’ve never seen anything like it. It’s cool.
You know one of the very first things we shot that I like quite a lot is, there is sort of a goodbye before she goes into the arena with Liam that I like a lot. And it was actually—we shot it because we needed summer foliage and summer flowers and things like that. We actually shot it while we were in prep. Very first thing we sort of went out into the meadow, out in the mountains in north Georgia and shot this sequence over three or four hours or so, and I really like it. I think it’s really nice. Jennifer and Liam are really good in it. It’s very nice.”